Meet the Bundles

The Producer-SE Bundle: 1080p Excellence

• Move SE Cameras: Equipped with three award-winning 20X Move SE cameras, every shot captures the finest details, even from a distance.
• High-Definition Clarity: Enjoy 1080p resolution, ensuring lifelike quality in every frame.
• PTZ Control: The included PT-JOY-G4 IP/serial-connected joystick controller offers intuitive and efficient camera management.
• Versatility at its Best: Multiple outputs – SDI, HDMI, USB, and IP – make the Move SE cameras a perfect fit for any production setup.

The Producer-4K Bundle: Ultimate Precision

• 4K Brilliance: Dive deep into ultra-high-definition with three 20X Move 4K cameras.
• Advanced Features: Native support for NDI®|HX and the industry’s leading auto-tracking capabilities.
• Elevated Control: The SuperJoy joystick controller is a game-changer, offering superior features for professional demands.
• Future-Ready: 4K video clarity combined with the SuperJoy controller sets a new benchmark in video production.

Designed with Tomorrow in Mind

The Move 4K and SE cameras are more than just cameras; they are an intelligent video production system. Their updated web user interface and built-in auto-tracking capabilities make them stand out. With one-click firmware updates from the web UI, your investment remains future-proof, adapting to new advancements over time.

Seamless Integration

Whether you use OBS, Livestream Studio, Wirecast, vMix, mimoLive, or Tricaster, both Move SE and Move 4K cameras integrate effortlessly. Control them through the provided hardware joystick controllers, the PT-JOY-G4 or the SuperJoy, or live stream directly to platforms like Facebook and YouTube. The choice is yours.

 

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Radio Station Live streaming setup

Radio Live Stream with 12X-ZCams

Ethernet Connected PTZOptics Zcams

4 Camera Radio Station Live Streaming Setup

vMix Control System for Radio Station

PTZ Camera in Radio Station

NDI^®|HX Camera for Radio

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1. Dynamic Scene Changes: You can mount the Studio Pro on an overhead mount to capture a bird’s-eye view of the entire stage. This perspective can provide a comprehensive look at the proceedings, be it a concert, theatrical performance, or church service. Use the 12X optical zoom to quickly shift to a close-up view of a specific area or individual, adding a dramatic touch to your content and keeping your viewers engaged.

• Use Case: Capturing a band performance, specifically focusing on the drummer’s technique.
• Mounting Location: Above the drummer’s area.
• Mount Type: Overhead mount. This perspective can provide a comprehensive look at the drummer’s performance. The 12X optical zoom allows for quick shifts to close-ups of the drummer’s actions, adding a dramatic touch to the stream and keeping viewers engaged.

2. Enhanced Audience Interaction: For interactive streams such as Q&As or interviews on stage, consider using a monitor top mount for the Studio Pro. This position allows the camera to capture facial expressions more clearly, thereby enhancing audience interaction. Use the 12X optical zoom to emphasize reactions or responses, creating a sense of intimacy and focus.

• Use Case: Interactive streams such as Q&As or interviews on stage.
• Mounting Location: On a confidence monitor on stage.
• Mount Type: Monitor top mount. This position allows the camera to capture facial expressions more clearly, thereby enhancing audience interaction. Use the 12X optical zoom to emphasize reactions or responses, creating a sense of intimacy and focus.

3. Creative Focus Play: Mount the Studio Pro on a monitor shelf or similar low-positioned mount when you want to play around with the focus creatively. From this angle, you can use the 12X optical zoom and the advanced focus settings to create a bokeh effect, adding a cinematic touch to your stream.

• Use Case: Capturing an intimate director’s chair, interview-style presentation.
• Mounting Location: Positioned to capture both the interviewer and interviewee from an engaging angle.
• Mount Type: Weighted-base stationary stand. By placing the Studio Pro on a stationary stand near the director’s chair, you can achieve a balance between close-up and wider shots. The 12X optical zoom allows for quick shifts between a close-up view of the speaker’s expressions and a broader view of the entire setup, adding depth and dynamism to your stream.

4. Versatile Positioning: For a unique viewpoint, consider using a wall mount for the Studio Pro. Positioned at the back of a church or a stage, this mount can offer a broad view of the scene. The 12X optical zoom allows you to capture close-ups without sacrificing video quality, opening opportunities for unique camera placements and angles.

• Use Case: Providing a broad view of a church service or a stage performance.
• Mounting Location: Multiple potential locations, such as at the back of the church or stage, at the entrance, or even off-stage for capturing behind-the-scenes footage.
• Mount Type: Wall mount, or any other mount type that can accommodate an Ethernet cable for the Studio Pro camera. The 12X optical zoom allows for capturing close-ups from these positions without sacrificing video quality, leading to unique camera placements and angles.

Remember, choosing the right mount for your Studio Pro camera can have a significant impact on the quality of your live stream. Each mount offers a different perspective and can help you maximize the benefits of the 12X optical zoom feature.

The Studio Pro’s range of output options, USB-powered lighting solution, and noise-canceling microphone array make it more than just a camera—it’s a comprehensive solution for high-quality video production​²​. With its compatibility with almost any video software, flexible power supply options, and a robust 5-year warranty, the Studio Pro is not only a practical choice for live streaming—it’s a solid investment. It’s not just us saying this—the Studio Pro won the best webcam award at the 2023 CES show!

In the world of live streaming, it’s not just about delivering content—it’s about creating an engaging and visually captivating experience. With the PTZOptics Studio Pro and its 12X optical zoom, the possibilities are boundless. Happy streaming!

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The PTZOptics Studio Pro is the latest PTZOptics camera designed with the needs of content creators, broadcasters, and video conferencing users in mind. This camera is a practical all-in-one solution that promises to deliver quality and versatility for a variety of video production needs.

The Studio Pro is equipped high-quality real-glass 12X lens that provides 12X optical zoom and a 72.5° Field of View. The Studio Pro 12X lens provides a happy medium between wide angle views when subjects are close to the camera and optical zoom when subjects are farther away. For example, the Studio Pro can capture a head and shoulders view of a subject up to 25 feet away (7.6 meters).

The Studio Pro also offers both portrait and landscape modes, giving users the flexibility to connect with their audiences in a format that suits their content. The time-of-flight sensor enables quick focus, and the advanced focus settings provide the option for a bokeh effect, adding a creative touch to your video content.

A key feature of the Studio Pro is its range of output options. It supports HDMI, USB, and IP outputs simultaneously, which means it can adapt to different setups and requirements. The camera is also native with NDI®|HX3, which simplifies network access to the camera with the latest low-latency IP video production solution that will work immediately with OBS, Wirecast, vMix and many more live streaming software solutions.

More than just a camera, it has a light!

The PTZOptics Studio Pro goes beyond providing just a camera; it includes a USB-powered lighting solution as part of the package. Good lighting is an essential component of any high-quality video production. It not only illuminates the subject but also helps control the perception of the video’s mood, tone, and atmosphere. With the Studio Pro’s adjustable lighting solution, which offers temperature settings from a soft white 3000k to a crisp daylight 6000k, creators can easily manipulate their scene’s lighting conditions to match their creative vision or meeting requirements. This helps eliminate shadows, reduce glare, and highlight the subject, resulting in a more professional and visually pleasing video.

The Studio Pro package includes an IR remote, a USB-powered lighting solution with adjustable temperature settings, and a noise-canceling microphone array. For power supply, it can use Power over Ethernet (PoE), USB, or a standard 12VDC power supply, giving users flexibility in deployment.

In terms of software, the Studio Pro is compatible with almost any video software because it offers USB plug-and-play connectivity and NDI for IP connections. If you are using an HDMI-based video switcher like an ATEM Mini the Studio Pro has you covered. If you are managing multiple PTZOptics cameras you can use the Camera Management Platform (CMP) for camera control along with the desktop and mobile control apps, and plugins for platforms like OBS and Twitch.

PTZOptics offers a 5-year warranty for the Studio Pro, demonstrating our commitment to the quality of their products and the satisfaction of our customers.

In summary, the PTZOptics Studio Pro is a practical choice for those who need a reliable, flexible, and quality camera for content creation, live streaming, and video conferencing. Its range of features, software compatibility, and robust warranty make it a solid investment for your video production needs. By the way, at the 2023 CES show, the Studio Pro won best webcam from VideoMaker.

The post PTZOptics Studio Pro: High-Quality Video Made Simple appeared first on PTZOptics.

In this blog post, outlines a detailed summary of the PTZOptics Move 4K camera review by John Mahoney from Streaming Alchemy. The Move 4K is a new camera from PTZOptics that offers 4K at 60fps, auto-tracking, and a range of IP and physical connections for easy integration into your studio setup.

The Streaming Alchemy YouTube channel is one of the best resources for detailed live streaming and video production content. We highly recommend that you subscribe here.

I/O Capabilities:

• 3G SDI and HDMI 2.0 connections for video (and audio if embedded)
• Network connection for control signals, NDI HX output, RTMP output, and SRT output
• USB 2.0 connection for webcam use
• PoE (Power over Ethernet) for single cable connection
• RS-232 and RS-485 for traditional PTZ camera control
• Line in and line out for audio

Camera Optics:

• Sony CMOS sensor (half-inch) with 8.5 million effective pixels
• 6.25mm to 125mm lens (20x version); also available in 12x and 30x versions
• Aperture size: around f7.5 to f19 in full frame equivalent
• Resolution: 4K at 60fps, 59.94fps, and 50fps (HDMI); 1080p60 and lower frame rates (SDI); 1080p at 60, 59.94, and 50fps; 720p at 60fps and 59.94fps
• Digital zoom: up to 16x, but recommended to stay within optical zoom range or the Hybrid Zoom mode in 1080p
• Gain an extra 2x zoom without resolution loss when using the camera at 1080p
• Field of view: 60.7 degrees horizontal and 34 degrees vertical
• Shutter speed: 1/30 to 1/10,000 of a second

IP Streaming Capabilities:

• Codecs: H.264, H.265 (HEVC), MJPEG, NDI HX2, NDI HX3, RTMP, RTSP, and SRT
• SRT support allows remote streaming in 4K

In summary, the PTZOptics Move 4K camera offers a comprehensive range of I/O capabilities, impressive optics, and versatile IP streaming options, making it an ideal choice for various studio setups and remote productions.

In this second part of our review, we delve deeper into the different flavors of NDI supported by the Move 4K camera and the camera’s ability to perform motion tracking under real-world conditions. Additionally, we discuss how well the camera integrates with other cameras, its resolution quality, and some of its other notable features.

NDI Options:

The Move 4K camera supports two types of NDI: HX2 and HX3. HX2 is a lower bandwidth version with higher latency, while HX3 is a compromise between full bandwidth NDI and HX2, offering low latency and better image quality. It is worth noting that HX2 supports up to 4K, while HX3 is currently limited to 1080p in the camera’s firmware.

Motion Tracking

The Move 4K performed well in various motion tracking tests, including single and multiple subjects, even when subjects momentarily moved behind others or were partially off-screen. The camera can easily switch targets using the included remote, allowing for smooth transitions between subjects.

Integration with Other Cameras

We found that the Move 4K could be easily matched with other cameras, such as the SimpleTrack Light, Gen 2, and Sony FX 30. The colors, especially flesh tones, were quite similar between the Move 4K and the Sony, likely due to both using Sony sensors.

Resolution Quality

While it’s difficult to gauge the true resolution quality through an online video, we compared the Move 4K to the SimpleTrack Light and Gen 2 camera. All three cameras were fed over NDI HX2, and the Move 4K showed promising resolution quality.

Additional Features

1. Hide Camera Moves: This setting freezes the video output during camera movement, effectively creating a cut between presets and hiding unwanted camera moves in a live stream.
2. HTTP Commands: The Move 4K can receive HTTP commands to toggle tracking on and off, which can be useful for switching between manual and auto tracking during an event.
3. Built-in Tally Light: A subtle but valuable feature, the built-in tally light indicates when the camera is live in a program (red), in preview (green), or not in either (off).

Improvement Ideas

There are two features we would like to see improved in the camera’s firmware:

1. 1. Improved auto tracking to allow for user-defined framing of the shot.
   2. More HTTP support for auto-tracking commands, such as changing subjects, toggling bounding boxes, and separate RTMP/RTSP feeds.

Despite these suggested improvements, the Move 4K camera’s capabilities, signal quality, and auto-tracking performance are impressive. We hope you find this overview helpful, and please feel free to ask questions in the comments section.

Conclusion

In conclusion, the PTZOptics Move 4K camera is an impressive piece of equipment that offers a wide range of features and capabilities, making it an excellent choice for live streaming and production environments. Its high-quality image output, motion tracking capabilities, and versatile NDI protocol support make it a strong contender in its market segment.

The Move 4K’s ability to handle various real-world situations, such as single and multiple subject tracking, reacquiring target subjects, and integrating with other cameras, demonstrates its potential to be a valuable addition to any production setup. The built-in tally light and HTTP command support for auto-tracking further enhance its usability and efficiency.

However, there is room for improvement in the camera’s firmware, particularly concerning auto-tracking framing and expanded HTTP command support. Addressing these concerns in future firmware updates would make the Move 4K even more versatile and user-friendly. With the include 5-year warranty and the team’s dedication to improving the camera firmware, this product is a solid choice.

Overall, the PTZOptics Move 4K camera stands out as a reliable and high-performing option for those looking to upgrade or expand their production equipment. Its robust features, solid performance, and potential for improvement make it a worthy investment for professionals in the streaming and production industry.

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The PTZOptics Move PTZ camera series has already made waves in the live streaming market with its 4K camera models, which are now shipping and have replaced the popular PTZOptics Gen 2 camera models. Building on this success, PTZOptics recently announced the SE “Standard Edition” Move series at NAB, which brings the AI-based auto-tracking features of the Move 4K to a wider audience at a low starting price point of just $999.

The Move SE camera line boasts a range of versatile video outputs, including SDI, HDMI, and USB, to ensure seamless integration with a variety of live streaming systems. In addition, the cameras offer IP streaming technologies such as RTSP, RTMP, and SRT, allowing users to easily broadcast their content to platforms like YouTube, Facebook, and Twitch.

While the Move SE cameras may not offer the same 4K resolution as their Move 4K counterparts, they still deliver exceptional video quality with a maximum output of 1080p at 60 fps. This makes them perfect for capturing high-quality footage for live events, conferences, sports, and online content creation.

One of the standout features of the Move SE camera line is PTZOptics’ intelligent auto-tracking capabilities, which use advanced AI algorithms to lock on to specific people during broadcasts. This technology enables presenters, performers, or athletes to move freely within the camera’s field of view, while the camera smoothly and automatically follows them. The result is a more dynamic and engaging viewing experience for the audience, without the need for a dedicated camera operator.

In addition to the auto-tracking features, the Move SE cameras offer a full range of PTZ (pan-tilt-zoom) capabilities, with a wide field of view and powerful zoom options to capture even distant subjects with clarity. The cameras also come equipped with presets and remote control options, allowing users to easily switch between multiple camera angles and scenes during a live broadcast.

PTZOptics has made the Move SE camera line available in various colors and configurations to suit different aesthetic and functional requirements. With their affordable price point, versatile output options, and advanced auto-tracking capabilities, the Move SE cameras are poised to revolutionize the live streaming landscape by making professional-quality broadcasts accessible to a broader range of users.

For more information on the PTZOptics Move SE camera series, visit the PTZOptics website, or catch them in action at the NAB conference this year. You can also email partners@ptzoptics.com to connect with our team.

The post The Move SE Camera Line Brings Auto-Tracking Capabilities to a Broader Audience at an Affordable Price Point appeared first on PTZOptics.

See the new Auto-Tracking Cameras

The new Move 4K PTZOptics cameras now feature auto-tracking, making it easier than ever to integrate automatic subject tracking into your live streaming or video production setup. This innovative technology allows you to keep the camera focused on your subject, no matter how much they move around. Add a creative and dynamic touch to your videos by taking advantage of this powerful feature – and let PTZOptics help you bring your production dreams to life!

Check out the latest software integrations

With PTZOptics cameras, you can now use your favorite live streaming software such as OBS, Wirecast, vMix or Livestream Studio to take advantage of their built-in pan, tilt and zoom camera controls and preset settings. With this capability, you’ll be able to stream like a professional – with automated camera movements and simple pre-configured settings all done from within the software. Take your live streaming capabilities to the next level today with PTZOptics!

Request PTZ Joystick Control Demonstration

With PTZOptics joysticks, you can control the movement of your camera with precision and finesse. These joysticks allow the camera to move slowly and smoothly through a variety of settings for live production, lecture capture, sports coverage and more. Request to see one of these in action for yourself and experience the cutting-edge technology that ensures your production projects are successful every time.

Book a Meeting Today!

PTZOptics would like to invite you to book a live camera demo from our studio, where you can check out the latest 4K pan, tilt, and zoom cameras that we have to offer. Our team of experts can show you how our cameras perform in real-time, helping you decide if it’s the right choice for your project. We’re here to help make sure you get the best quality equipment for your needs – so don’t hesitate and book a demo today!

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With so many exhibitors offering cutting-edge technology for live streaming and video production, it can be difficult to decide which products to focus on and explore. Luckily, we’ve done the hard work for you and have rounded up the top 10 must-see live streaming and video production technologies at CES this year. 

1) PTZOptics ( BOOTH: 19183): PTZOptics cameras are ideal for small-scale webcasting applications such as live streams from classrooms, boardrooms, or conference halls. PTZOptics provides ready-made packages that come complete with everything necessary to get started quickly with remote broadcasting applications. 

This year PTZOptics will be showing off the latest PTZOptics Move 4K auto-tracking cameras. The Move 4K cameras set a new standard for robotically controllable pan, tilt and zoom cameras with advanced computer vision capabilities built-in for automatic subject tracking and locking in complex environments. PTZOptics will be showing off the Move 4K cameras in use with NDI, HDMI, 3G-SDI, and USB connectivity. 

PTZOptics will also be showing the new Studio Pro camera which is an all-in-one video communications camera with the quality of a DSLR camera but the simplicity of use of a webcam. The Studio Pro is ideal for work-from-home offices and small creator studios that require an affordable yet high-quality video camera with multiple connection options such as HDMI, USB, and NDI to grow with the modern video requirements of users around the world.

2) Insta360 ( BOOTH: Suite 342): Insta360 has introduced some very interesting cameras for use with live streaming and video production. The Insta360 Link is a webcam that has really taken the low-cost PTZ webcam market by storm with features such as 4K and AI-powered tracking.

3) Roland ( BOOTH: 15301): Roland professional video solutions offer some of the best video switchers and capture solutions available today. A few of the newer Roland video switchers that are exciting to see on the marketing include the UVC-02 and the SR-20HD. The UVC-02 is a small video and audio switcher designed for professional web conferencing meetings. It’s an all-inclusive device that can integrate a professional HDMI video input along with an XLR-connected goose-neck microphone making video calls much higher quality than simple web conference gear. The SR-20HD is a complete all-in-one video switcher, encoding solution with the ability to incorporate multiple cameras and microphones into a single audio-visual stream. The SR-20HD really has everything you need in a portable video switcher with video outputs for preview, intuitive button layouts for operation, and built-in streaming capabilities. 

4) Sony ( BOOTH: 18600 , 19129 , 19269 , …AND MORE) Creative Software Solutions for Live Streaming: Sony’s line of software solutions is a professional’s dream come true, with advanced features like 4K streaming and integration with YouTube Live & Twitch. If you are a Sony Vegas user, you can now easily live stream your video projects without having to use an alternative software like Open Broadcaster Software (OBS). 

5) Panasonic (BOOTH: 16317 , N245 , N246 , …AND MORE): One particular camera from Panasonic that turns a lot of heads is the Panasonic Lumix camera. These cameras offer industry-leading image quality with clear colors even in low-light settings. Plus they boast features such as enhanced autofocus tracking and fast auto-focusing speed that make capturing stunning visuals a breeze. Panasonic also offers robotic PTZ camera systems, video switchers, and other professional audio-visual solutions worth checking out. 

6) Canon ( BOOTH: 16359): With Canon’s wide range of products from DSLR cameras to lenses there is something suitable for any kind of project or budget. Last year Cannon released new pan, tilt, and zoom (PTZ) cameras at the CES show along with a variety of consumer-oriented DSLR cameras. Canon is known to use CES as a launching pad for new live streaming and video production products. Here is a relevant article from Canon’s 2022 launches.

7) JVC (BOOTH: Suite 29-216): JVC is well known for their camcorders which are ideal for shooting weddings or other events that have become essential equipment for any videographer or filmmaker. Check out JVC Pro HD Camcorders at CES 2023 and along with their other live streaming and video production products that are coming out including their Connected Cam series of cameras.

8) Adobe (BOOTH: ARIA 74 , ARIA 75 , …AND MORE): Adobe never fails to deliver when it comes to creative software solutions – especially video production-related ones! If you are an Adobe user of Photoshop, Premiere, After Effects or one of their many other video production software solutions you can stop by the Adobe booth for free software training and expert advice. Over the past few years, Adobe’s move to the cloud has been incredibly popular in the video production space. If your team is using Adobe, you should make sure you are making the most out of your investment by leveraging all the new cloud-based features available.

9) Audio-Technica ( BOOTH: 18266): The Audio-Technica booth is always worth checking out if you are interested in the audio side of live streaming and video production. From high-end headphones that allow you to hear the finest details to new microphones designed specifically for creators Audio-Technica has a lot to offer. 

10) Avid Professional Video Solutions: For decades now Avid has been renowned in the industry as one of the best providers of professional video solutions. At CES 2023 you can check out their latest offerings including VENUE systems, Pro Tools software, and more! Avid’s live audio tools are particularly popular in live video production environments. Pro Tools and VENUE are very popular in venues and live productions such as Houses of Worship and Music Performances.

With all these incredible technologies now available, our advice would be not to miss out on this opportunity to get ahead of your competition by checking them out under one roof at CES 2023—you won’t regret it!

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Just a few years ago, most people wouldn’t have even thought of live streaming a wedding. Couples expected people to attend in person or, maybe, get to see photos or videos later on. Then came 2020. In May of 2020, 81% of the scheduled weddings worldwide were postponed mainly due to COVID-19 restrictions or concerns. As people started rethinking their weddings, it became more accepted to have at least some wedding guests attend virtually. 

Now, it has become somewhat routine for friends and family to be a part of a couple’s special day, no matter where they are. The timing is perfect. Even with less worry about COVID-19, getting guests to travel to a wedding or other event is still as difficult as ever. 

More people are moving away from home to other states and counties. Jam-packed schedules can make any travel seem impossible. Add to that an aging population that may have trouble making the trip and vulnerable people concerned about attending an event with a large crowd. Suddenly, live streaming a wedding seems quite practical.

Thanks to new, affordable technology, it is easier than ever to live stream events like weddings. There is no longer a need to spend tens of thousands of dollars on equipment or hire a crew of camera operators. With PTZOptics cameras and accessories, you can stream a wedding with broadcast-quality video with just one operator. PTZOptics can also help you avoid the need to deal with cables for video and power. With the right gear, you can be set up in minutes and capture all the action without distracting from the couple’s special day.

The Cameras

PTZ cameras are the perfect solution for live streaming events like weddings. PTZOptics cameras offer the broadest range of options and features, so you can be sure you have exactly what you need. PTZOptics cameras are available in HD and 4K and offer broadcast-quality frame rates. They are also available in multiple zoom levels from 12x to 30x. This is excellent news if you find yourself streaming a wedding in a large venue. With zoom capabilities like these, it is possible to get clear close-ups no matter how far away you are. 

Cameras from PTZOptics also offer multiple options for connecting to your computer or switcher. These include USB for situations when you want to connect directly to a computer, HDMI for prosumer-level switchers and capture cards, and 3G SDI for broadcast standard quality over coaxial cable. PTZOptics even offers NDI^® cameras that support power, video, audio, and remote control over one single ethernet cable across a local area network. With this many options for wired connections, it is easy to create the perfect setup for live streaming weddings using PTZ cameras.

Remote Control

The best feature of these cameras is the ability for an operator to pan, tilt, and zoom remotely. That means you can make all these adjustments from a computer, smartphone, tablet, or a joystick controller like the PTZOptics SuperJoy. 

As mentioned, PTZ cameras allow complete control without having an operator at each camera. Everything can be controlled by one operator in one location. While there are multiple remote control options, for the most flexibility and control, the PTZOptics SuperJoy offers the latest features. 

It doesn’t matter if you control your cameras via NDI, IP, or serial connection. The SuperJoy offers control over any of these connections simultaneously. It can even control multiple camera brands, including PTZOptics, Sony, NewTek, and others. The Superjoy features up to 255 PTZ presets and camera control groups for automated control. This means when live streaming a wedding, you can set up all the shots you want in advance and then access them with one touch.

Go Wireless

Wedding venues come in all shapes and sizes, making running cables challenging. This is especially true if you want to keep them out of sight and avoid a tripping hazard. Thanks to the PTZOptics WirelessCable, you can use NDI^®, IP, and serial connections for video, audio, and remote control with no wires. It is like connecting via ethernet cable except without any wires. 

The WirelessCable can carry signals up to 1,300 feet. Even better, you can daisy chain up to five units to extend your reach to a mile. So you won’t have any trouble keeping those cameras connected even in the largest venues.

Just add one of many available power banks with AC outlets to eliminate wires completely. This way, you can place a fully wireless, remote-controlled camera anywhere in the venue with no cables to deal with. Even better, if you need to move the cameras for any reason, you can just pick them up and go without rerouting the cables.

Setting Up Your Cameras

Depending on your setup, there are many options for setting up PTZ cameras to capture the action. Given PTZOptics cameras’ small form factor, they can go just about anywhere. For the quickest setup, take advantage of the tripod thread on the bottom of the unit. Many tripod accessories are also available so you can have room to mount your PTZOptics WirelessCable.

With the right configuration of PTZ cameras and Wireless Cables, you can capture some truly stunning angles. Since the setup is small and there is no operator, you can place a camera nearly anywhere. You can have a camera at the back, on the side, even facing the happy couple. Then, you can remotely zoom in and get that perfect shot to help those at home feel a part of the moment.

References:

“Livestreaming Supplements In-Person Interactions During Quarantine Shelagh Dolan, Insider Intelligence, November 4, 2020

“Report: Global Impact of COVID-19 on Weddings”, Bridebook

The post How to Live Stream a Wedding appeared first on PTZOptics.

Many PTZ cameras on the market today offer built-in “tally light” solutions, but they are often too small to be seen from any reasonable distance. After listening to customers working in studios and presentation settings, it became apparent that dedicated tally lights are a necessity for any professional, multi-camera environment. While PTZ cameras do reduce the need for physical camera operators, TallyLights solutions offer indication lights for people who are on-camera as well as those behind the camera. Each TallyLights emitter offers red, forward-facing LEDs for on-camera talent and a green, backward-facing LED for camera operators.

The TallyLights product line today supports video production systems and vendors such as OBS, Wirecast, vMix, NDI^®, Blackmagic, Roland, JVC and more. As a company at the forefront of educating video production professionals, PTZOptics has made a significant effort to build powerful integrations for PTZ camera controls into many of the same software and hardware solutions that TallyLights already supports. Integrations for software such as OBS, vMix, Wirecast, and NDI^® have made it easier for customers to use our products. Knowing that TallyLights integrates with many of the same systems will make it easier for our customers to deploy TallyLights indicator systems in their studio environments.

Video producers are often faced with multiple real-time challenges during live presentations. TallyLights can help to keep teams of presenters in sync with a multi-camera setup. Camera operators will also benefit from TallyLights because the live indicator lights let them know when their camera will be in preview.

TallyLights offers support for a variety of video production software solutions through a plug-and-play, USB-connected controller. These TallyLights controller boxes are able to control and power emitters through a single USB connection to a standard computer. Each TallyLights emitter is then connected to the TallyLights controller via low-voltage extension cabling. These controllers are made in the U.S. and are designed to work hassle-free for years.

Multi-camera productions have increased in popularity significantly with the growth of online video and video communications. TallyLights have become the missing piece of many video production studios looking to streamline their workflows and build places where great content can be made. To learn more about TallyLights, go to https://tallylights.com.

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